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“Future Crimes”

Director: David Cronenberg

With: Viggo Mortensen, Léa Seydoux, Kristen Stewart

It’s been over 20 years since David Cronenberg starred in the sandbox of body horror and sci-fi. With ‘Crimes of the Future’, the legendary filmmaker behind bloody classics such as ‘Scanners’ (1981), ‘Videodrome’ (1983) and ‘The Fly’ (1986) firmly embraces his roots, bringing a story to life. that he had in mind for years and never had the opportunity to talk about — of a world in which surgery becomes an art form. The filmmaker has found one of his most successful partners, Viggo Mortensen, who plays the main role. Mortensen was nominated for a Best Actor Oscar for the couple’s last collaboration, “Eastern Promises” in 2007.

“Holy Spider”

Director: Ali Abbassi

With: Mehdi Bajestani, Zar Amir Ebrahimi, Arash Ashtiani

Iranian-Danish filmmaker Ali Abbasi, whose last film, “Border” in 2018, won the Un Certain Regard prize at Cannes, now finds himself in competition for the festival’s biggest prize with a “noir” thriller, at the sequel to a family man named Saeed who embarks on a dark quest to “cleanse” the city of Mashhad of immorality – a business that quickly turns deadly. As things progress, Saeed grows increasingly frustrated with the public’s lack of interest in his murderous mission, which drives him to act even further.

“Tori and Lokita”

Directors: Jean-Pierre and Luc Dardenne

With: Mark Zinga, Nadège Ouedraogo, Alban Ukaj, Charlotte De Bruyne

At this point, Belgian brothers Jean-Pierre and Luc Dardenne are Cannes royalty, having won six awards at the festival for six different films. This impeccable track record makes their latest, ‘Tori and Lokita’, one of the favorites in this year’s competition, with the ever-socially conscious filmmakers this time turning their attention to two friends who traveled from Africa to Belgium to be confronted to its cruel realities. as they struggle to survive. The film continues its shift towards more racially-focused themes, with their latest award-winning film, 2019’s “Young Ahmed”, following a Belgian-Arab boy who experiences radicalization.

“Decision to leave”

Director: Park Chan-wook

With: Tang Wei, Go Kyung-Pyo, Park Hae-il

Korean cinema has finally imposed itself on the general public. While Bong Joon-ho may be the one to break through the Oscars barrier, it was Park Chan-wook who first caught the world’s attention, with his controversial 2003 film ‘Oldboy’ becoming the star of the show. one of the most viewed cult classics of the century so far. With ‘Decision to Leave’, the filmmaker returns to Cannes for the first time since 2016’s ‘The Handmaiden’, this time following a detective who falls in love with a mysterious widow after she becomes the prime suspect of his latest murder investigation.

‘Sky Boy’

Director: Tariq Saleh

With: Tawfeek Barhom, Fares Fares, Mohammad Bakri

Swedish-Egyptian filmmaker Tarik Saleh makes his Cannes debut with ‘Boy from Heaven,’ a sequel to his Sundance Film Festival winner ‘The Nile Hilton Incident’. While his previous political thriller sparked some controversy in Egypt (he had to transfer production out of the country after the backlash), “Boy From Heaven” proves he hasn’t lost his taste for confrontation. It is a political thriller following a power struggle following the suspicious death of a high-ranking religious leader.

“Mediterranean Fever”

Director: Maha Haj

With: Amer Hlehel, Ashraf Farah, Anat Hadid

An aspiring writer and a petty crook team up for a sinister plan in “Mediterranean Fever,” Palestinian filmmaker Maha Haj’s return to Cannes after her debut, “Personal Affairs,” which premiered in 2016. The film, which takes place in Haifa, sees “Personal Affairs” supporting actor Amer Hlehl, who honed his craft with the UK’s Royal Shakespeare Company – promoted to his first starring role on the big screen. It captures Haj’s signature dark humor with an existential twist. Although this is her second feature film, Haj burst into filmmaking in the art department of Elia Sulaiman’s acclaimed films “The Time That Remains” and “It Must Be Heaven” before moving on herself. behind the camera.

“The Blue Kaftan”

Director: Maryam Touzani

With: Saleh Bakri, Lubna Azabal, Ayoub Messioui

In one of Morocco’s oldest medinas, husband and wife Halim (Saleh Bakri) and Mina (Lubna Azabal) run a traditional caftan shop and desperately need help. The two hire a talented young man named Youssef – and soon discover that his presence has a profound effect on their lives. With “The Blue Caftan”, Moroccan filmmaker Maryam Touzani, collaborator and wife of “Casablanca Beats” filmmaker Nabil Ayouch, returns to Cannes after her highly acclaimed film “Adam” – itself about a modest bakery in Casablanca which hosts a guest unexpected — lit up the Un Certain Regard section of the festival in 2019.

“Three thousand years of nostalgia”

Director: George Miller

With: Idris Elba, Tilda Swinton

There are few film careers more interesting than that of George Miller, the Australian filmmaker behind the ‘Mad Max’ trilogy, ‘Babe’ and the two ‘Happy Feet’ films. Miller never received the respect he deserved until the release of “Mad Max: Fury Road” in 2015, a masterful and delirious display of skill that earned him 10 Oscar nominations that year. While we won’t see a sequel to this film until 2024’s “Furiosa,” Cannes will see the premiere of its latest epic, this time following a college girl (Tilda Swinton) who meets a Djinn (Idris Elba) in Istanbul. who offers him three wishes in exchange for freedom.

“Hour of Armageddon”

Director: James Gray

With: Anne Hathaway, Anthony Hopkins, Jeremy Strong

While it seems the world has yet to take notice of director James Gray, the American has long been a favorite at Cannes. His previous films “We Own the Night” (2007), “The Immigrant” (2013) and Brad Pitt’s sci-fi epic “Ad Astra” (2016) all debuted on La Croisette. His latest is his most personal to date, based on his upbringing in Queens, New York and featuring some of the best actors in the world, including Anthony Hopkins, still at the peak of his powers, Jeremy Strong (“Succession”) , and Anne Hathaway.

“Triangle of Sadness”

Director: Ruben Ostlund

With: Woody Harrelson, Harris Dickinson, Oliver Ford Davies

If you’re a fan of scathing satire, chances are you’re also a fan – or should be – of Swedish filmmaker Ruben Östlund, whose previous two films, ‘Force Majeure’ and ‘The Square’, were two of the most hilarious, not to mention deeply uncomfortable movies, of the past decade. With “Triangle of Sadness”, the filmmaker swapped the ski slopes of Sweden and the museums of Denmark for the sunny islands of Greece, filming his last more than 72 days on a desert island during the pandemic. It tells the story of a duo of models who find themselves at a turning point in their respective careers.


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